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Queer|Art|Film: Alynda Segarra presents FRIED GREEN TOMATOES

  • IFC Center 323 6th Avenue New York, NY, 10014 United States (map)

1991. US. 130 min. Directed by Jon Avnet.

Neglected housewife Kathy Bates finds motivation to turn her life around after listening to nursing home resident Jessica Tandy’s captivating tales of the bond between two Southern women (Mary-Louise Parker and Mary Stuart Masterson). Jon Avnet’’s adaptation of Fannie Flagg’s acclaimed novel toned down the central lesbian relationship, but queer audiences easily read between the lines. The film’s a favorite of Hurray for the Riff Raff’s Alynda Segarra, who spent years searching for a haven for queers and people of color like the film’s Whistle Stop Cafe, before deciding to create that space through her music. Tawanda!

As always, our screening will be followed by drinks and discussion at Julius Bar (159 West 10th St. at Waverly), the oldest gay bar in New York City!


It had been a successful, if tumultuous, ride for Alynda Segarra, who’s been spreading a new kind of roots-conscious folk music across the country from her adopted hometown of New Orleans. But as far as the Bronx native had come with her band, Hurray for the Riff Raff, there was still a missing link to her story. 

After many years in New Orleans, Segarra found herself getting antsy. Hurray for the Riff Raff had four albums under its belt, with the last one, Small Town Heroes, featuring “The Body Electric,” a song that NPR’s Ann Powers called “The Political Song of the Year” in 2014. Yet even though her musical career had begun by running away from home at 17, busking for survival and honing her craft through dreams of Bessie Smith, Ma Rainey, Memphis Minnie, and Woody Guthrie, Segarra realized she is a Puerto Rican kid from the Bronx with a different story to tell.

On Hurray for the Riff Raff’s new album ‘The Navigator’ (March 10/ATO Records), Alynda Segarra tells an interwoven, cinematic story of a wandering soul at a crossroads of identity and ancestral weight. It finds a street kid named Navita traversing a perpetually burning city in search of herself. ‘The Navigator’ is a thrilling call to arms that could not come at a more crucial time. It also finds Hurray for the Riff Raff at its own musical intersection, delving deep into the worlds of Latin rhythms, searing rock, and incisive ballads.


"As a puerto rican kid from the Bronx this movie sparked my imagination. It made me wanna go out searching for a real Whistle Stop cafe, a place where people of color and queer people would be protected and could even heal. Though I was raised to think such a place couldn't exist especially in the south, Idgie's spirit felt infectious and made me believe it must be real. This movie made me want to create this spaces, through my music and the events I curate."